Bolivian Traditions

This piece is an interpretation of Bolivia’s cultural and spiritual traditions, created through an unconventional process that blends contemporary materials with age-old symbolism. Although not a painting in the traditional sense, this work is composed of colorful plastic ropes, each individually wrapped around cylindrical objects such as metallic straws and broom handles. The plastic is then carefully heated while on these forms, allowed to cool, and removed. This heating process enables the plastic to retain or transform into unique, curved shapes, resulting in a rich texture filled with organic, cylindrical and abstract forms that add dimension to the composition.

The sculpted plastic shapes, each with their own unique twist or curve, give the piece a layered, almost mosaic-like effect. Every strand has been altered from its original straight form, contributing to the piece’s tactile complexity and enhancing the storytelling embedded within the imagery. The use of liquid latex to hold the elements together not only serves as glue but also adds a metaphorical layer, as latex ages over time and may gradually alter the piece’s appearance, reflecting the evolving nature of cultural beliefs.

At the center stands the Ekeko, a folkloric figure in Bolivian culture symbolizing abundance and good luck. The Ekeko is adorned with “mistura” paper—colorful decorative strands worn during celebrations like Carnaval, birthdays, and anniversaries. The Ekeko carries tiny replicas of desired objects, such as cars, houses, and household items, symbolizing the hopes and dreams of those who honor him. He also clutches a cigarette, a common offering to satisfy his “vices” in exchange for prosperity.

To the left, figures in traditional attire witness a llama burning, a ritualistic offering to Pachamama (Mother Earth) and other deities, symbolizing a request for well-being and abundance. Such offerings, rooted in ancient Andean traditions and interwoven with Catholicism, reveal Bolivia's unique cultural syncretism.

In the upper right, a man scatters coca leaves, a sacred plant in Bolivian culture with spiritual, medicinal, and energizing properties. The coca leaf is used in ceremonies, for offerings, and by many for endurance. Despite its central role in Bolivian life, coca remains controversial globally due to its association with cocaine production, highlighting a complex relationship between indigenous tradition and international perception.

The lower right corner features a devil in a mine, embodying Bolivia’s relationship with Tío, the spirit of the mines. In mining communities, Tío is both feared and revered, honored with offerings to ensure safety and protection. This figure represents the belief that mining disrupts Pachamama’s domain, requiring miners to make peace with the spirits of the underworld to prevent accidents and misfortunes.

This piece captures Bolivia’s spiritual and cultural landscape, blending sacred and secular imagery in a tactile, dynamic form. The heated, transformed plastic shapes mirror the resilience and adaptability of Bolivian traditions, which continue to evolve while maintaining a deep connection to their roots.